Monday, August 3, 2009
KING DIAMOND - Spiders Lullaby (Demo Lp)
KING DIAMOND - Spiders Lullaby (Demo Lp): "Great quality unofficial vinyl LP release on TRASH colored wax with insert featuring lyrics and an awesome HUGE (24” x 36”) full color poster. Limited stock from “Hail the King Records” in United Kingdom, BUY NOW OR CRY LATER!!!!
The DEMO RECORDING most people do not even know exists! This is RAW but great sounding and really adds a different feel to the “The Spider's Lullabye' album which is quite possibly the most underrated King Diamond album. Recorded with a drum machine somewhere between 1990 and 1995 when the band left Roadrunner and were shopping around for a new record label to release “The Spider's Lullabye' known today. The audio was taken directly from a leaked source tape ensuring best sound quality possible."
PROFANATICA - Profanatitas De Domonatia
PROFANATICA - Profanatitas De Domonatia: "COLLECTOR'S DELUXE PICTURE LP: Picture Disc in custom outer cover with the 'Angel' symbol die cut in the front side of the jacket. Comes with large 18' x 24' poster with different artwork from the regular LP edition. VIEW POSTER
LAST COPIES! Easily the best fucking Black Metal album of 2007! Much awaited full length studio album from one of the most influential and original godfathers of extreme Black Metal. Spilling holy fucking blood with 10 ruthlessly scouring Profanatica signature style hymns, 'Profanatitas De Domonatia' is a continuation from where the black cult vanished in 1992. Profanatica vomit on your god and shit on your so-called Black Metal!!
Listen to Profanatica samples & view their artist profile HERE"
Review from Nathan T. Birk of METAL MANIACS:
"Profanatica: the original masters of mesmerizing filth, barbaric simplicity, heavy metal's minimal-is-maximal ideal alternately taken to its most retarded and most enlightened end(s). No introduction should be necessary.
Alas, since the band's original dissolution in 1992 and vocalist/drummer Paul Ledney subsequently sallying forth with the more concertedly primitive Havohej, only two releases of new Profanatica recordings resulted - one a two-song 7", the other a download track - leaving the promise/premise of a Profanatica full-length otherwise unfulfilled. Enter the overwhelmingly UG-anticipated Profanatitas De Domonatia, the band's official debut album following their sporadic rebirth at the beginning of this millennium. Does it meet expectations? Exceed them, or fail them? How high do those expectations need to be, anyway? Only you can decide, which ultimately hinges upon how proportionally fanatical you are about Profanatica.
This much is certain, and from as coolly biased a perspective as possible: Profanatitas is everything a Profanatica full-length record should be, no more and no less. It immediately sounds exactly like Profanatica, yet never a whiff of total deja vu. It is strict and sleazy, militant yet molten. Its waves of unfettered filth wash over you with a stench of familiarity, only because very few bands ever could milk lock-step simplicity quite like this. If anything, this is Profanatica at their "heaviest," the guitar/bass chunder impossibly thick and molasses-like, and rarely has Ledney's paradigmatic vocal blasphemy ever sounded this possessed, this stretched into the shit-strewn sewers of black metal's primeval underbelly."
New from Abandon Ship Records
Abandon Ship Records: "Queen Elephantine
Kailash
ASR054
'Kailash takes its name and guiding spirit from the mythical Himalayan peak on which the Destroyer dwells in the state of perpetual meditation, in the deathless state.' Originally hailing from Hong Kong, this New York-based group is bringing something entirely new to the table. Hypnotic eastern-tinged drones create the backdrop for their dark and brooding vocals. Creating something truly unique, and definitely the first of it's kind on Abandon Ship. Keep an eye out for more from Queen Elephantine in the coming months. Their future is bright, although their sounds may not be!"
TeitanBlood
Highly recommended new release. Well somewhat new. I lagg on here, thats probably why I have no readers. These records have gone like hotcakes.
Go google this record and see what you can find, Seven Chalices by Teitanblood is the most brutal and ugly assault of 2009. This one has me hyped. These guys Kill! I cant find this on Vinyl anymore. Try ebay. The Cds are out there. 20 Buck Spin records or Aquarius records!! Good luck. check my links on the side of the page. Garrrrr!
Wednesday, July 15, 2009
MASTER MUSICIANS OF BUKKAKE Totem One (Conspiracy)
From the Aquarius review
"Sun City Girls fans! Drone-doom freaks! Here's your unlikely crossover dream come true, kind of. A psychedelically heavy (sometimes) and always eerily exotic new album on the Conspiracy label from this band with the wiseass faux-ethnic name (if you don't know what Bukkake is, don't ask, and definitely don't Google it - if you do, be aware it's NSFW). Now including members of Earth and Burning Witch amongst their ranks, and once again boasting cameo appearances from folks belonging to the Sun City Girls and Secret Chiefs 3, this is exactly (and excellently) what we might have expected from this project. Acoustic ethnic instrument buzz and drone meets guitars-leaning-on-amps buzz and drone. There's electronic FX and analog synths alongside field recordings, bells and chimes and gamelan percussion mixed with Tibetan monkish low-end drone-chant, and let's not forget the flute and Mellotron... The seven tracks of Totem One span a wild, wide range of (moody) moods, from the heavy throbbing maelstrom that is "Schism Prism / Adamatios" to the spacey, spooky folk ramble of "Cascade Cathedral". The most Sun City Girlish moment here is probably "People Of The Drifting Houses", not surprisingly the track which features guest vocals provided by Alan Bishop of SCGs and Sublime Frequencies fame.
"In The Lightness Of The Sonoran" could be the recently reviewed Harappian Night Recordings attempting to channel SUNNO))), whilst other tracks (simultaneously) bring to mind such not-entirely-disparate artists as Angus MacLise, Blood Of The Black Owl, Six Organs Of Admittance, Ghost, and Acid Mothers Temple. The latter especially, for instance on the most freaked out parts of the aforementioned "Schism Prism / Adamatios" or during the blissful ceremony of the album-ending nine minute long "Eaglewolf". Fantastic. We're now eagerly looking forward to further Totem installments! (Totem Two is due out later this year on the SCG-related Abduction label, that released MMOB's prior album as well.)
NB. The vinyl version of this comes with a coupon for free mp3 download of the whole album.
Sons of Otis-Exiled (from aquarius)
Reliable sorts these Canadians are, aren't they? The Sons Of Otis are back, and fans of their monolithic stoner rock / blues / doom will not be disappointed. It's all here on their fifth full-length album. Lumbering fuzzed out riffs, check. Spacey electronic atmospheres, check. Glacial pace, check. Psychedelic soloing, check. Heavier than thou jamming, check. Feedback, check. Gravelly, effects-laden, echoey vocals, check. Drugs, check (we're pretty sure!). They even continue their tradition of including super stoned sounding cover versions of classic tracks by their old school influences, this time 'round giving the Sons Of Otis treatment to two faves: Lynyrd Skynyrd's "Cry For The Bad Man" (here titled "Bad Man") and Motorhead's "Iron Horse"! In both cases it's like the original has been dipped in tar, dosed with drugs, and slowed down to 16rpm, especially "Iron Horse" which segues into a billowing dense ambient drone definitely not derived from the original Motorhead composition, the whole track lasting over 18 minutes!
The Otis originals here will (slowly) kick yr ass too. "Haters" starts things off with a scowl, and they don't lighten up much... later on "Tales Of Otis" enters into almost Khanate-like ultra-doom territory, and it's hard to tell if Sons Of Otis are trying to take off into outer space or burrow deep into the earth. Definitely (as always) for fans of UFOmammut, Electric Wizard, Boris... and for folks who'd like to know what it would sound like if Monster Magnet mated with the Melvins.
It's hard to know what else to say, either you're a fan of this and every other Sons Of Otis album, or you need to take more drugs.
Friday, July 10, 2009
BONG Novum Castellum (Turgid Animal) 3cd
new over at Aquarius records. gottta get ahold of one.
BONG Novum Castellum (Turgid Animal) 3cd
It always seems to happen this way, we spend ages and ages trying to track down recordings from an elusive band, hearing rumors about 7"s and cd-r's and tapes, and then suddenly, BOOM. Or in the case of these guys, Booooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooom... the recordings come bursting forth, and again, in this case, the sounds spew from speakers and headphones like some viscous black torrent. Which can only mean one thing, the return of drugged out sludge drone mavens Bong. If ever a band was more appropriately named, Bong are ready to take them on. In fact, the only way a band could prevail monicker-wise, they'd have to be called Bong Blood Hell Froth, or Bladed Bong Skullorb, or something, and even with a name all ready for battle, it's doubtful their pathetic sounds would be any match for Bong's thick, sprawling doomscapes of sitar like buzz, churning bottom heavy crunch, and at least on one of the tracks here some serious drum pummel.
Three discs, five tracks, three hours, recorded in pubs, under bridges and in restaurants, one can only imagine the smoldering ruins these guys left in their lumbering drug-doom wake. Their live sound much more rocking then their doomed out minimal records might lead you to believe.
The opener on its own is worth the price of admission, a relentless buzzy, space-y sludgey groove, with some killer drumming, chaotic, mathy, but locked in pretty tight, the cymbals offering up a layer of warm swirling sizzle, the vocals a haunted demonic chant, the rest of the sonic space taken up by woozy washed out buzzing sitar like strings, a sort of Sleep meets Circle meets SUNNO))), a downtuned krautrock crunch, smeared into an endless drug drenched space rock groove. The second half of disc two offers up more of the same, with the drums even more frantic, the band rocking propulsively, not so sludgey as heavy and fierce, the song slipping into a tranced out sonic tarpit partway through, before exploding into a tangled doom-math outro.
The two tracks on the second disc see the drums pulling back a little, letting the guitars and vocals interlock, the result some sort of ritualistic groove, albeit wrapped around some serious percussive heft, the second of the two tracks blissing out pretty nicely, the band slipping comfortably into something a bit more meditative and slowcore sounding, but still the guitars smoke and smolder, the drums, while restrained, still sound urgent, the track seething with dark intensity, and minimal doomic menace.
The final disc, a nearly 40 minute single song set, is the heaviest and densest of the bunch, somehow fusing the blown out ur-drone of groups like Sunroof! with a fuzzed out garage doom space stomp. Think White Hills, the Heads, Monster Magnet, this is the sort of doom that's bursting with barely restrained psychedelia, like watching some black star explode, swirling red and yellow gouts of sonic fire spilling forth from a heaving black hole of sound. The sound lo-fi, lots of noise and reverb and distortion and ambient noise, the sound crumbles and breaks apart here and there, the band slipping easily from ponderous trudge to blissed out shimmer, often merging the two into some soul shearing psychedelic doom.
A few of these tracks were already released, but as a cd-r in a limited run of 50 or something crazy like that, so odds are, like us, you never even saw 'em. These are proper, real cds (NOT cd-r's), packaged in a dvd style case, with printed inserts. And is also limited, this time to 300 copies!
BONG Novum Castellum (Turgid Animal) 3cd
It always seems to happen this way, we spend ages and ages trying to track down recordings from an elusive band, hearing rumors about 7"s and cd-r's and tapes, and then suddenly, BOOM. Or in the case of these guys, Booooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooom... the recordings come bursting forth, and again, in this case, the sounds spew from speakers and headphones like some viscous black torrent. Which can only mean one thing, the return of drugged out sludge drone mavens Bong. If ever a band was more appropriately named, Bong are ready to take them on. In fact, the only way a band could prevail monicker-wise, they'd have to be called Bong Blood Hell Froth, or Bladed Bong Skullorb, or something, and even with a name all ready for battle, it's doubtful their pathetic sounds would be any match for Bong's thick, sprawling doomscapes of sitar like buzz, churning bottom heavy crunch, and at least on one of the tracks here some serious drum pummel.
Three discs, five tracks, three hours, recorded in pubs, under bridges and in restaurants, one can only imagine the smoldering ruins these guys left in their lumbering drug-doom wake. Their live sound much more rocking then their doomed out minimal records might lead you to believe.
The opener on its own is worth the price of admission, a relentless buzzy, space-y sludgey groove, with some killer drumming, chaotic, mathy, but locked in pretty tight, the cymbals offering up a layer of warm swirling sizzle, the vocals a haunted demonic chant, the rest of the sonic space taken up by woozy washed out buzzing sitar like strings, a sort of Sleep meets Circle meets SUNNO))), a downtuned krautrock crunch, smeared into an endless drug drenched space rock groove. The second half of disc two offers up more of the same, with the drums even more frantic, the band rocking propulsively, not so sludgey as heavy and fierce, the song slipping into a tranced out sonic tarpit partway through, before exploding into a tangled doom-math outro.
The two tracks on the second disc see the drums pulling back a little, letting the guitars and vocals interlock, the result some sort of ritualistic groove, albeit wrapped around some serious percussive heft, the second of the two tracks blissing out pretty nicely, the band slipping comfortably into something a bit more meditative and slowcore sounding, but still the guitars smoke and smolder, the drums, while restrained, still sound urgent, the track seething with dark intensity, and minimal doomic menace.
The final disc, a nearly 40 minute single song set, is the heaviest and densest of the bunch, somehow fusing the blown out ur-drone of groups like Sunroof! with a fuzzed out garage doom space stomp. Think White Hills, the Heads, Monster Magnet, this is the sort of doom that's bursting with barely restrained psychedelia, like watching some black star explode, swirling red and yellow gouts of sonic fire spilling forth from a heaving black hole of sound. The sound lo-fi, lots of noise and reverb and distortion and ambient noise, the sound crumbles and breaks apart here and there, the band slipping easily from ponderous trudge to blissed out shimmer, often merging the two into some soul shearing psychedelic doom.
A few of these tracks were already released, but as a cd-r in a limited run of 50 or something crazy like that, so odds are, like us, you never even saw 'em. These are proper, real cds (NOT cd-r's), packaged in a dvd style case, with printed inserts. And is also limited, this time to 300 copies!
Thursday, July 9, 2009
Hellhammer/Celtic Frost photo book.
"HELLHAMMER/CELTIC FROST Photo History Book Announced07 07 2009
Former HELLHAMMER/CELTIC FROST mainman Tom Gabriel Fischer and Bazillion Points Books have announced November 2009 as the publication date for 'Only Death Is Real: An Illustrated History of Hellhammer and Early Celtic Frost.' Authored by Fischer with cooperation from HELLHAMMER/FROST partner Martin Eric Ain, the deluxe large-format 288pp hardcover will feature over 300 astonishing high-quality photos by Csaba Kézér, Martin Kyburz, and Andreas Schwarber documenting the very dawn of death metal and black metal.
Five years in the making, this extraordinary artifact sets an audacious new historical standard in heavy metal literature. Further information and sample photos are available at THIS LOCATION:
http://www.bazillionpoints.com/?p=207
HELLHAMMER's adolescent hardships were played out in dramatic and sometimes violent episodes set in small villages around Zurich, Switzerland, during 1983 and 1984. The ultimate insider document of the earliest era of death metal and black metal, 'Only Death Is Real' documents this unique and cataclysmic moment in modern music history with hundreds of never-seen vintage images, classic artwork reprinted by kind permission of HR Giger, a full visual reference to HELLHAMMER promotional material, flyers, and memorabilia documenting the birth and evolution of extreme metal—all supported by sharp-tongued oral accounts direct from Tom G. Fischer, Martin Ain, Stephen Priestly, Steve Warrior, and other survivors of the HELLHAMMER inner circle.
* * *
CONTACT: bazillion@bazillionpoints.com, (718) 383-7122
Friday, May 8, 2009
Thursday, January 29, 2009
KTL IV
Truly a beautifuly haunting experience upon the listener's ears. KTL are one of the extraordinary groups who remind me why I no longer need lsd. The sound is all one needs to feel as if you have embarked upon a wild, mind-altering, otherworldly, primitive, hypnotic, body-numbing, experience. This recording is the fourth installmennt from the this duo (Stephen O'malley & Peter rahberg) and the first recording that was not written for a score or piece of some sort. This recording includes six tracks that take the listener on a ambient voyage. KTL have always done a fine job at creating atomsphere and keeping you hanging there through the entire experience. Drone-like soundscapes and unearthly, minimalitsic, electronics. Stephen O'malley, whose touch on any project remains remarkable, with his sub-sonic sound manipulations and otherworldly grasp on creating DRONE. Peter Rahberg has always had his own magic touch with his resourcful use of electronics. Together, KTL remain one of those projects that will continue to be a heavy influence in the gallery of mind expansion....
Monday, January 26, 2009
Black MetaL Forest VOL.1.0 January compilation Now Available.
Black Metal Forest is the first D.I.Y. cd-r edition Comp. by Obsidian Grave. Sent out for free this month. A collection of some recent Blackened Metal artists that have been on normal rotation here at the Grave. You can expect more editions of Black Metal Forest in the near future. Tracklisting straight from the forest.
1.
2. MARDUK - Sulpher Souls (album: opus nocturne)
3. ABSU - Tara (album: Tara)
4. ABSU - Pillars of Mercy (album: Tara)
5. ABIGOR - Unleashed Axe-Age (album: Nachthymnen)
6. KRALLICE - Timehusk (album: Krallice ep)
7. NEGURA BUNGET - De Piatra (album: Om)
8. DESTROYER 666 - I am the Wargod (album: phoenix Rising)
9. NACHTMYSTIUM - Your True Enemy (album: Assasins)
10. WATAIN - Sworn to the Dark (album: Sworn to the Dark)
11. WOLVES IN THE THRONE ROOM - DE Artio (album: two hunters)
12. ABIGOR - Scars In the landscape of God (album: Nachthymnen)
13. GORGOROTH - Gorgoroth (album: Anti-christ ep)
14. DEATHSPELL OMEGA - Kenose part II (album: kenose)
15. ABSU - From Ancient times (album: Tara)
If like to get on the mailing list please send email to
http://www.kenny.ruggles@yahoo.com
Sunday, January 18, 2009
Shrinebuilder
New project featuring some of the best musicians according to the Grave. Shrinebuilder consists of, Wino (St, Vitus, Hidden Hand), Scott Kelly(Neurosis), Al Cisneros (Om, Sleep), and Dale Crover (Melvins). Fresh out of the studio this album is expected to hit the shelves mid-summer 2009 on Neurot recordings. Go here www.weburnthroughthenight.blogspot.com (scott kelly blog) for more info on Shrinebuilder in the studio...
Monday, January 5, 2009
Mick BARR archive DVD set
Mick Barr has a double DVD archive out from archivecd shop. A look at his crazy guitar style. Mind Bending riffs. The material is a grouping of solo works and covers his 2 groups Ocrilim and Orthrelm. Also some improv with Mick and Hella drummer Zach Hill. Some crazy stuff. Just the packaging of this set is kNarl.
get it here
http://www.archivecd.com/shop.htm
and watch this..
...FINAL- dead air...
Remember FINAL?? Check this new release... one of JK broadrick's first experiments back from the 80's. Very different from his other projects such as the almighty GODFLESH and stargazed rock outfit JESU. This is some serious minimalistic ambience. Like guitar pedals in your bedroom style. on UTECH records. buy it here http://www.utechrecords.com/
ASVA-What you Dont know is Frontier
This is the first album of OBSIDIAN review. A group that has heavy influence on these ears. The sheer power in this recording is undeniable. Dylan Carlson contributed to the beginnings of ASVA, with founding members Stuart Dahlquist and B.R.A.D., both were former members of the brain shattering, BURNING WITCH. This album is a definite skull splitting chunk of drone. Asva are unique when it comes to harnessing their LOW frequencies. Use of organs and female voice Jessica Kenney (former band, Black Horse) bring a different element to the table of drones, sounding more intelligent than your average doomsters. Then there's Mr. Trey Spruance (mr. bungle/secret chiefs 3 mastermind) who never lets anything sound generic. This album is more like a soundtrack to empty corpses floating in SLO-MOTION through the mist on a vast open frontier plane! Every chapter on this gem has a tribal, holy (or unholy), Hypnotic, spiritual rythm that wont let the ears of it's listener escape easily. Dark ambience and earth moving soundscapes, yet the overall feelings your left with are, beautiful, organic, and majestic.
Check out all things ASVA. you will not be dissapointed. Check this live clip... although it doesnt really do them the justice the serve to ones ear in a live setting...
Sunday, January 4, 2009
))((Welcome to the Obsidian Grave))((
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